“Who is quiet in the first generation, brings the second one it in his body”

Françoise Doltó


GUILTY speaks of a crime seen from several perspectives thanks to the narration of testimonies of different peoples, and a dramatic structure based on confusion, irony with dyes of sensationalism the spectacular.


The paintings are inspired by the paradox that represent the interrogation and confession of the involved in a crime and the consequences that are triggered around a trial. In this setting in scene the jury is the public within a scenario that becomes tried in where we are all suspects


GUILTY wants to go deep into the individual and collective imageries of guilt in our context, generating a creative reflection and aesthetics from the theater and its relationship with other disciplines. The guilt in its definition is more succinct, can be a lack or a damage that has been carried out, but it is also a widespread feeling in our environment, with roots in a cultural and religious pattern tax and that evokes certain emotional and physical characteristics that are distinguished by their contraction, inhibition, castration, among others, which are the center of our scenic creation.


GUILTY arises as a result of a creation laboratory called Linea Fronteriza, selected as a resident in the Country House of the dance and the IDARTES during the first and second quarter of 2013. The main purpose of this laboratory is the training through the theater and dance. It has been a space leader by dancers and actors where they have exchanged their disciplinary knowledge by dissolving the idea of actor or dancer in a broader concept of the scenic creator.



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